“Alice had begun to think that very few things indeed were really impossible.”
Narrator·CHAPTER I. Down the Rabbit-Hole
Central Question

How does this line mark Alice’s changing mindset about possibility and rules at the start of Wonderland?

Quick Facts

Speaker
Narrator
Chapter
CHAPTER I. Down the Rabbit-Hole

Analysis

Context

After tumbling down the rabbit-hole and chasing the White Rabbit, Alice enters a long, lamp-lit hall ringed with locked doors. A tiny golden key opens a very small door that reveals a dazzling garden, but she is far too large to go through. Wishing she could “shut up like a telescope,” she reflects that so many odd things have happened lately that she has “begun to think that very few things indeed were really impossible.” Only then does she return to the glass table looking for a way forward, where she will shortly find the “DRINK ME” bottle. The line captures the moment just before her first voluntary size-change, framing the mental pivot that makes her next actions plausible.

What the quote means

The statement that Alice “had begun to think that very few things indeed were really impossible” records a rapid recalibration of expectation. In the schoolroom, Alice has learned categories that separate the possible from the impossible; she even rehearses terms like “Latitude” and “Longitude” during her fall. Yet Wonderland’s early violations—the talking White Rabbit with a watch, the bottomless descent, a key that opens a door too small for a human—erode that inherited map. The line shows her adopting a pragmatic openness: if the world is behaving strangely, she will suspend default judgments and see what follows. It also reveals a child’s imaginative elasticity turning into a working method. Instead of despairing at the tiny door, she hypothesizes a solution—collapsing “like a telescope”—and treats it as hypothetically attainable. The narrator’s free-indirect closeness to Alice’s thoughts underscores that this is not cosmic philosophy but immediate problem-solving. The sentence thus functions both as a thematic thesis for the book’s logic-play and as an enabling condition for plot: only a mind that deems the “impossible” negotiable will drink from a mysterious bottle or later test a mushroom. Wonderland will keep presenting absurd constraints; this line records the moment Alice decides to meet them with experiment rather than doctrine.
Analysis

From didactic certainty to experimental method

Placed between the glimpse of the garden and the discovery of “DRINK ME,” the line foreshadows Alice’s empirical turn. She won’t wait for a “book of rules” to instruct her; she will test what substances do and adjust. The wording—“had begun to think”—implies an ongoing process rather than a sudden conversion, matching the chapter’s rhythm of trial, error, and re-interpretation (forgetting the key; failing to climb the glass table). There is mild irony: she still uses school-learned rhetoric (“Latitude or Longitude”) even as she abandons its authority. The sentence also initiates a motif of scale-flexibility that later becomes self-management: by the Caterpillar chapter, she will control size via measured bites. In the hall, however, the openness to the “not impossible” mainly grants courage to act without guarantees, a stance that culminates in the courtroom when she rejects “sentence first—verdict afterwards,” applying her earned skepticism to social authority as well as physics.

Mindset as plot engine

This cognitive shift explains why Alice consents to drink from an unknown bottle moments later. Treating impossibility as provisional turns curiosity into action, moving her from passive awe to active experimentation that drives the narrative through successive puzzles.

Foreshadowing controlled change

The line anticipates the book’s pedagogy-by-trial: mushroom bites, etiquette games, and logical riddles. Alice’s early openness prefigures her later competence, when she calibrates size and challenges nonsensical rules rather than submitting to them.

Themes and characters in play

The quote links Alice’s identity formation to Wonderland’s language-and-logic games. It prepares her encounters with the Caterpillar (who demands self-definition amid bodily change) and, distantly, the Queen of Hearts’ courtroom, where Alice’s tested skepticism confronts arbitrary authority and procedural nonsense.